http://tiffanyfairey.co.uk/portfolio daily 1.0 2023-09-13 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446658514547-27GW9EAIW327J6H76XFF/NLcoverb.jpg Portfolio New Londoners book cover, published by Trolley Books https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446658745714-E0W5KHA4RTQE9EK27A7X/NLlaunch.jpg Portfolio The photographers with Ed Balls, Secretary of the State for Children, Homes and Families at the New Londoners book launch at Tate Modern, October 2008 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164880601-C4R16AZ5OAAMGXBI1X93/baj2.jpg Portfolio I came to the UK in 2001. My first impressions of London were strange. I was in East Ham and it was not like the London I had seen on the television. I lived with a foster family. They were Indian and I had never seen people eating with their hands before. The experience of seeing different customs and lifestyles was new. After a while, I got to know about these cultures and came to respect them. Once you get over the strangeness of difference you understand how many things are the same. Bajram Spahia, excerpt from Waiting for Amy, New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164880780-7WNOJRBZ5K0NUS4AMN70/Baj1.jpg Portfolio Waiting for Heather Bajram Spahia, New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164883017-JIYAQHAKCL6A69WEB2AF/chal1.jpg Portfolio Maybe I’ll be happy here. I have not chosen to be here, and I have no choice if they want to send me back. I should be happy but I am not. I am not able to start my life yet. Not until I get my visa. I am here but I am always thinking about my city, Kirkuk. I want to live in my city but I can’t. My thoughts are like this all the time, I want to be here, but I don’t know if they will let me stay. I want to be there, but can’t be there either. So what can I do? … The photos I have taken were but together to show how my thoughts are. Always in twos, for every happy thought, an unhappy thought. For every time I think of being here, I think of being there. Wanting to be here but missing there. Not being a part of here but also beginning to be. Chalak Abdulrahman, excerpt from Maybe … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164881849-ANDAIH1NOHTRO915OEXQ/chal2.jpg Portfolio Maybe I’ll be happy here. I have not chosen to be here, and I have no choice if they want to send me back. I should be happy but I am not. I am not able to start my life yet. Not until I get my visa. I am here but I am always thinking about my city, Kirkuk. I want to live in my city but I can’t. My thoughts are like this all the time, I want to be here, but I don’t know if they will let me stay. I want to be there, but can’t be there either. So what can I do? … The photos I have taken were but together to show how my thoughts are. Always in twos, for every happy thought, an unhappy thought. For every time I think of being here, I think of being there. Wanting to be here but missing there. Not being a part of here but also beginning to be. Chalak Abdulrahman, excerpt from Maybe … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164884592-CMS3NK0EAVO3MM3TRW95/chal3.jpg Portfolio Maybe I’ll be happy here. I have not chosen to be here, and I have no choice if they want to send me back. I should be happy but I am not. I am not able to start my life yet. Not until I get my visa. I am here but I am always thinking about my city, Kirkuk. I want to live in my city but I can’t. My thoughts are like this all the time, I want to be here, but I don’t know if they will let me stay. I want to be there, but can’t be there either. So what can I do? … The photos I have taken were but together to show how my thoughts are. Always in twos, for every happy thought, an unhappy thought. For every time I think of being here, I think of being there. Wanting to be here but missing there. Not being a part of here but also beginning to be. Chalak Abdulrahman, excerpt from Maybe … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164885334-NU1SL58YERM9ZOKURTRH/chal4.jpg Portfolio Maybe I’ll be happy here. I have not chosen to be here, and I have no choice if they want to send me back. I should be happy but I am not. I am not able to start my life yet. Not until I get my visa. I am here but I am always thinking about my city, Kirkuk. I want to live in my city but I can’t. My thoughts are like this all the time, I want to be here, but I don’t know if they will let me stay. I want to be there, but can’t be there either. So what can I do? … The photos I have taken were but together to show how my thoughts are. Always in twos, for every happy thought, an unhappy thought. For every time I think of being here, I think of being there. Wanting to be here but missing there. Not being a part of here but also beginning to be. Chalak Abdulrahman, excerpt from Maybe … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164877354-LZCHL5CQOT08IIAI63N1/al2.jpg Portfolio My friends in Iraq would be shocked if I told them I took this photo in London. They would not believe that some Londoners live in such poor housing. It is just like Iraq - the washing line, the drain pipes, the badly painted door, the only thing which looked out of place were the windows, they looked new. Al-Mousaoy, excerpt from An Unexpected London … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164877925-FMJL1DOFPGT10814MUXJ/ali1.jpg Portfolio This is my breakfast. I made two eggs, some bread, tea. Then I thought I could take a picture of it. For people here it is just my breakfast. But if I showed it to someone in Iraq they wouldn't believe it. When we were in Iraq we imagined England was just like what we saw on TV, in films. Breakfast tables had bread and orange juice. But my breakfast is the same as in Iraq. The only difference is the tea bag. We don't make tea with tea bags we let it brew. Al-Mousaoy, excerpt from An Unexpected London … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164886675-4UP1GLI4FMGHVOUO5PKL/chen1.jpg Portfolio I always thought I was entering a colourful world of freedom since I left China. But then it turns out to be just black and white. Memory and hope are of the same color for me. Chen Feng Chen, excerpt from Peeking the Full Moon, New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164887666-P2IXWY6QOO7QSII396FB/ivano1.jpg Portfolio The man on the left of the picture is my friend. Him and the band are very talented musicians… I go to hear them play once a week in Brixton. They play modern Congolese music called Soukous – of which ndombolo is a very popular style. … The rythms are hard and fast. You can loose yourself in the music. I understand everything they sing about – they sing about life and they sing about love. Everyone there dances, we all dance in our own way… Ivano Kankonde, excerpt from The Congolese Youth Band, New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164888641-33UCN1MKJ8D3ABSO1EL1/loria1.jpg Portfolio At first I didn't have any idea of how London would be. I didn't actually know that I was going to be coming to this country.... I think London is a great place to be, you don't have to worry about your life. There is law that people have to follow, there is democracy... London for me is like being blessed by God because so many opportunities that I have here, others do not.... But life in London is also really hard. Here I have to be responsible for everything; my money, going to the doctor... you have to fly for yourself at such a young age when you haven't been trained in so many things. Sometimes you can be really lonely, frightened and worried. I really enjoyed taking these photos. Through photography I have looked at things more deeply, like looking into my life and seeing how to move on... Photography has been a therapy for me. I learnt how to break free of myself. The entrance to where my social worker works is like an emotional doorway to getting help with your problems, where problems get solved. That is the reason why people walk through that door. Loria Siamia, excerpt from I Am Not Alone … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164889453-GGNMNIOBD8T4DCPXXFOX/loria2.jpg Portfolio My social worker is one of the most wonderful people I have ever met. She makes me believe in myself, she gave me hope when I didn’t have any. I have become closer to my social worker since taking her portrait. Loria Siamia, excerpt from I Am Not Alone, New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164891571-EWUSSF8VX68ZEPJYBRZ7/loria3.jpg Portfolio The church is so special to me. It is a refuge. It is a French/Lingala church.... When I am worried and I ask my God, why. I know he hears me so I feel happy. My family - even though I don't know where they all are - are the most important people in my life. I will always remember them. It is because of them that I am who I am now. Loria Siamia, excerpt from I Am Not Alone … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164891180-0JPQE0UGQOT0BO61B5TG/loria4.jpg Portfolio The pictures of my priest and my church are my favourites Loria Siamia, excerpt from I Am Not Alone … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164905580-TYCEFVDM4IE52CS1LS2S/mussie3.jpg Portfolio At home we make injera and bread as well, by grinding grain to flour. We make dough and cook it on a flat aluminum sheet with fire underneath. We burn wood usually, though you can make your own charcoal. When I was very young we had sheep and goats to make yoghurt but they all perished in the drought. Mussie Haile, excerpt from They Seem To Be Ours But They Are Not … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446164906547-SSNENGC5GI3ERHXBCTKK/mussie4.jpg Portfolio In Eritrea we got water from the lake 3 to 5 kilometers away by donkey. My family had three donkeys. Collecting water was definitely a woman's job. For washing clothes we would take them to the lake, use Omo and dry them on the stones. Mussie Haile, excerpt from They Seem To Be Ours But They Are Not … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446658551416-V7UY8OJ7X3KZGS5QTH6C/mussie1b.jpg Portfolio I like the pockets in these trousers. I can't find good quality, fashionable clothes in London. They are better in Eritrea. Mussie Haile, excerpt from They Seem To Be Ours But They Are Not … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446658562508-GKU0QN8OR0GXHYZKCL9Y/mussie2c.jpg Portfolio This picture is interesting and makes me wonder. It was the first time I came into contact with the police in England. I was stopped and searched when I was waiting for Crispin outside Downing Street. Afterwards I took this self-portrait holding the piece of paper they gave me. Mussie Haile, excerpt from They Seem To Be Ours But They Are Not … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446658593569-YXKS4KHPWCGAUAS2YG4M/mussie5c.jpg Portfolio This picture is of an apple tree. It is not our garden but it comes down over our garden. That’s why I wanted to take the picture. When I look at the apples they seem to be ours, but they’re not. Mussie Haile, excerpt from They Seem To Be Ours But They Are Not … , New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446658543022-893NF3YXZB82CBN5F3XX/tat1b.jpg Portfolio I had my citizenship ceremony last summer and to my surprise it was quite emotional… I have an interest in how the ceremony affects and shapes one’s personal identity, and in how it is reshaping communities in cultures already established. I also wonder how the apparent ‘equality’ being given to the new citizens will affect the obvious cultural, financial and social inequality. Only the future will tell but at the moment it is a privilege to be present while such developments take place. Tatiana Correia, excerpt from New Citizens, New Londoners (PhotoVoice / Trolley 2008) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665259664-KCKJZ3RQLJED7LZL2DEG/nep16.jpg Portfolio Participants outside the project buildings (office, workshop space, darkroom and studio), 2007 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665218773-R0J7D1OB14AY9GPIWO97/nep1.jpg Portfolio Playing happily on a swing Here I am a refugee but I do not want refuge. I want the wings to fly. (c) Aita Maya / Rose Class / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665221027-XYO80IMC62TZDR95KO6T/nep2b.jpg Portfolio Aite Maya with her photograph, Kathmandu exhibition 2002 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665228670-GWBY9GN8B3YQXOX9NGMY/nep3.jpg Portfolio Puff of wind He is a 97 year old man who lives in the camp. He thinks life is like smoke that a puff of wind can disperse. He is a pessimist. He says in Bhutan he was very rich and that he came to Nepal with only the clothes that he was wearing. Now he is poor. His clothes, plates and pots are given by UNHCR. He complains that he will die without seeing his country again. Myself and others tell him that is not the way to think, that our problems will soon be solved. (c) Yethi Raj / Rose Class / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665234193-MLZMMDPR5NBVFRYW4Q3L/nep4.jpg Portfolio Here my brother is holding a map of our country Bhutan. Bhutan is called Druk Yuk, The Land of the Thunder Dragon. Though we are away from our country an unforgettable picture of Bhutan is printed in every Bhutanese heart. We felt very sad to leave Bhutan behind but our parents had to leave to survive. (c) Nar Bdr / Rose Class / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665231973-BYHJKZDGHPPAK4H9L8VK/nep5.jpg Portfolio Carrying rations back to the hut. (c) Aite Maya / Rose Class / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665235483-58GO2LRY45B3W617G3SU/nep6.jpg Portfolio I took this photo nearby my hut. Refugee huts are arranged in lines and are made out of bamboo and plastic. I have spent 8 years of my life living in camp and I do not know how many more years we will spend here. In Bhutan now our village has become a forest. We are becoming adults but have only distant dreams of our country. (c) Pasang / Rose Class / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665237662-0NPGQ2UCN48ZA304TDYG/nep7.jpg Portfolio He is my brother. He is studying in Class VIII. He wakes up early in the morning because his examination is coming very near. He sits on the bed and keeping his books on the table, he starts reading. He is naked because he has just woken up, lit the lantern and started studying. (c) Yamuna / Rose Class / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665241941-OLZXDJ1WQ88OD4RPI7H6/nep8.jpg Portfolio In the camp small children do not know anything because we are not able to show and teach them practical things. If we ask the children who are born in the camps in Nepal, ‘Where do we get milk from?’, they will say we get milk from a bicycle. They say this because they see milk being carried to the huts on a bicycle. (c) Yethi Raj / Rose Class / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665243292-7XPHZ1U9N3Z3UC46C1IZ/nep9b.jpg Portfolio Hidden Style This photo denotes the hidden style of Bhutanese boys. They are people that possess wonderful skills but being refugees they are unable to fulfill their potential. They are very strong friends and united even though they fall into different castes. (c) Nar Bdr / Rose Class / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665248412-MF3MT00APF5L8JFJNN4M/nep10.jpg Portfolio The watertaps near my hut This is the water tap near my hut. In camp we are given the things we need. We are lucky to get an opportunity to study but we are not happy to spend our lives as refugees because we are not free. Thousands of drops of water when added together make an ocean. Like that we must share our good ideas with each together to find a solution to our problems. (c) Madan / Rose Class / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665245521-8DVVPVWU0D6SCIAUV31A/nep11.jpg Portfolio Photography workshop, 2007 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665247190-0ISH9QC94OW94LDOAX4S/nep12.jpg Portfolio Photography workshop, 2007 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665249443-D9Y69ORE9R3C3HA3JC3P/nep13.jpg Portfolio Photography Self-Learning Centre, Beldangi refugee camp, Nepal 2007 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665254570-8ZKCIOG54YSREVN8NFTY/nep14.jpg Portfolio Project participants receiving vocational training in a local photographer's studio. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446665254452-WAFACV9WVUIB5F8PTQ9H/nep15.jpg Portfolio Project participants at an exhibition in Kathmandu. 2002. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446662990575-LV1NQRMZNVATMFCHGD02/trans3.jpg Portfolio Transparency featured in The Guardian, July 2002 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446662987697-336AZKHXK61VN45QTY2F/trans1.jpg Portfolio Transparency exhibition at The Spitz Gallery, London 2002 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446662991424-BUKWXWUNOI812I6EHXSM/trans4.jpg Portfolio Transparency featured in The Newham Recorder, July 2002 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446663538455-ULIA5FVKQ1EB2KQ5T29J/trans2b.jpg Portfolio ? In England I don't know who I am; I know my name and other things but I do not know what I am doing here. In my own language I could tell you many things about myself but I find it hard to speak in English. (c) Florian / Transparency / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446663001637-O5KJI1WDBPRRHRZZL86Q/trans7.jpg Portfolio Total Exhaustion; Maximum Compliance. One day I was directed to the wrong floor by an officer who told the lady accompanying me not to bother explaining which was the right floor. We were supposed to be on the 3rd floor but ended up on the 2nd floor. We spent so long waiting there. I has gone to collect my ID card - I was totally exhausted by the end. (c) Onesmus / Transparency / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446663008641-8AEWUBHZ245O2UMWHIEJ/trans8.jpg Portfolio Dreaming I wish I was up there / On stage in the spotlight / So I can sing and dance / And the world is watching I wish just for a moment / To go back in time/ Behind the curtains preparing myself / Like a rainbow to come out. The time is not gone / It's coming back quickly / I am in London and dancing / And the people clap. (c) Florian / Transparency / PhotoVoice     https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446663015432-6IF03DN0H865WAUW4SRE/trans9.jpg Portfolio Light bulb One day I was in my room and lying on my bed looking at the ceiling. I started thinking how in this country it is funny - if you want to you can get up, flick a switch and the light will come on. (c) Tatiana / Transparency / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446663013197-GA2AGRJ0QDZHKFJYE56M/trans10.jpg Portfolio Homeless Mojo When I arrived here I was shocked to see homeless people in old and dirty clothes on the streets. I thought that this would be one of the differences between the First World and the Third World countries. Why are there people in Britain living on the streets? This is Mojo. Mojo and I wonder why the government takes more care of foreigners - asylum seekers - than the British people living on the streets. Isn't it our responsibility to try and advocate for their rights? Mojo is just like you and me and he deserves his rights. (c) Onesmus / Transparency / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446663019195-GZY0K753LFYQ78B98SX6/trans11.jpg Portfolio Homeless Mojo When I arrived here I was shocked to see homeless people in old and dirty clothes on the streets. I thought that this would be one of the differences between the First World and the Third World countries. Why are there people in Britain living on the streets? This is Mojo. Mojo and I wonder why the government takes more care of foreigners - asylum seekers - than the British people living on the streets. Isn't it our responsibility to try and advocate for their rights? Mojo is just like you and me and he deserves his rights. (c) Onesmus / Transparency / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446663020424-YC0NV102HDI60AHJSABB/trans12.jpg Portfolio Birds in this country remind me of the parrots and wild animals in Africa. I took this picture in Green Park. I used to think there were no trees in London. Because Africa has lots of bush, people imagine London to be so modern, that there will be no trees, no bush. Maybe people here think that there are no buildings in Africa. (c) Onesmus / Transparency / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446663023398-8M26TF62DSKKOKXBICDC/trans13.jpg Portfolio My Friend This is my friend 'Bomi'. I brought him in London because I live alone and I need friends. Sometimes I talk to him. He doesn't talk back. (c) Hawdin / Transparency / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446663209950-FHPP48VY6RMIA47FPR8D/trans6b.jpg Portfolio Lots of Ice Cream I dream of eating lots of ice cream all at once. I wanted to make my sister look funny. We were all smiling when we took this photo. (c) Dilroshi / Transparency / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446663003078-JOA83SPSGMPYXLOSIUTU/trans5.jpg Portfolio The project was to photograph Brick Lane. I like black and white photography because the pictures are not busy and look all serious. I like photos of shapes and black and white is good for that. Before I only knew colour photography but I am now more interested in black and white pictures. (c) Dilroshi / Transparency / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446663029582-905R5ZFTVG2DX73QPF11/trans14.jpg Portfolio Transparency workshop https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446730312284-9VJ7TR8RXQ539JLK58IW/image-asset.png Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731088717-A3XL3JEOTOT61YFZDIM0/Taf1.jpg Portfolio Severo Salazar / Ayaviri, Puno, 1989. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731081246-OJJQUY760HFIV5SQONND/taf2.jpg Portfolio Mariano Chillihuani / El hombre pequeño, Ccalacocha / Ocongate, Cusco, 1987. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731083711-CVBR2LMI4VU14D6SF4Z9/taf3.jpg Portfolio Serapio Verduzco / Periódico mural communal sobre derechos humanos, Ccapana / Ccuhuayo, Cusco, 1987. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731090605-TQXW4M7CVYJJO991AVH6/taf4.jpg Portfolio Serapio Verduzco / Una reunion del taller en Ocongate / Ocongate, Cusco, 1987. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731103552-6GKDJ77BVMGMYH6CEUPN/taf5.jpg Portfolio Enrique Watanabe / El palomar / El Agustino, Lima, 1986. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731098461-DAFQLT3WVYNCM5LNU07J/taf6.jpg Portfolio Gabino Quispecondori / Accidentado alto en el camino a una movilización / Orurillo, Puno, 1989. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731106006-JD2KHITU1AKD0X2UK0Y4/taf7.jpg Portfolio Melchor Lima / Toma de tierras en la comunidad campesina Macará / Melgar, Puno, 1989. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731115750-DJH3X2Z41YR4V6I1X9G1/taf8.jpg Portfolio Nicasio Chara / Descanso para mirar unas fotos, comunidad Ccollcca / Canas, Cusco, 1993. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731112493-PQ6PTJV479KQM2RVKWA2/taf9.jpg Portfolio Dámaso Quispe / Atentado de Sendero Luminoso contra la Cooperativa Agaria de Trabajadores Quisumi / Oruillo, Puno. 1989. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731124361-RI6BY9OP72JRX4KBOAQP/taf10.jpg Portfolio Jacinto Chila / Periódico mural en Alto Collana / Melgar, Puno. 1989. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731125398-V9ZG05Z26X2QZ9HEN5DQ/taf11.jpg Portfolio Jacinto Chila / Atentado contra torre de comunicaciones / Macarí, Puno. 1989. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731133362-XCM5WFKLFKSEWN9VE9FC/taf12.jpg Portfolio Daniel Pajuelo / El angel exterminador en una procesión / Huancayo, Junin. 1991. © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731131040-7IEMIM4XVVNPR3FS2KQ0/taf13.jpg Portfolio Fotografos © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731134964-BPPNR0ER0KXULYS6QN5P/taf14.jpg Portfolio © TAFOS https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446731141533-GS00LUL12A7UZF366A5D/taf15.jpg Portfolio Street exhibition, Lima 2012: La Calle es el cielo, Fotografia de Daniel Pajuelo https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446668660129-Q3LI59LMK9ET2JM73G1V/MW2b.jpg Portfolio “The beach is a very calm space where I can experience freedom of thought and well being. I enjoy spending time with my dog and I feel in this particular picture a feeling of balance and happiness is communicated. Balance is crucial as it implies contentment, a state of equilibrium. This can be achieved through keeping busy, doing different activities. It is important if you have mental health issues to get out there and to be active.” (c) Ben / United Response / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446668661794-T23PXW7ER1YI9VW6ZGCS/MW3b.jpg Portfolio “This picture expresses a sense of being serene and moving in a direction – being future orientated, digesting the past and looking forward. If you are getting over mental health problems support is vital but we need the freedom to define the future for ourselves – to define our dreams and ambitions.” (c) Ben / United Response / Photovoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446668661255-55XBD0MMTR1EPU9OVQ4L/MW4.jpg Portfolio “This photo is about looking into the heart of the sun. When you are schizophrenic you see beautiful colours but it makes you blind – like looking into the sun. If you look too close things blur but it doesn’t mean they are not there. Schizophrenia or mental illness is when the colour drains from you.” (c) Simon / United Response / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446668662644-FXMRMHBL9FTFPK6Z68HN/MW5.jpg Portfolio This is my Mum. It is a contented and peaceful photo. My Mum has coped with a lot. Her first husband was killed in the war and my father suffered with a mental illness. My mother cared for me and then for me when I was ill. I need support but what about care for the carer? (c) Terry / United Response / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446668663253-S384713WN2N9T8VANG5T/MW6.jpg Portfolio “This picture is about re-learning to get on the bus and not getting impatient. It is the kind of thing other people take for granted but I have found it very hard for a while. I chose to photograph this because I wanted to show how difficult it is for me to be independent. I am trying to change my way of thinking to see a bus journey as a way of going from A to B rather than being trapped. I wish I could be like the other people on the bus who seem relaxed and comfortable.” (c) Terry / United Response / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446668664877-5XKX485TEUN43G87FRQ4/MW8.jpg Portfolio “In this photo I am trying to show how you feel when you are ill. You feel insecure, lonely, paranoid, scared of being taken away, I even became scared of my own family. When you are ill you feel surreal because of the drugs – you hear voices, sounds, you see colours, lights. You think you see a weird thing then you look again and it’s something normal. Now I am well I don’t see these things or hear those voices. But it’s always there and sometimes the drugs can make you feel strange.” (c) Alison / United Response / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446668665833-2YKK5WVIWMJP9UFNGXH5/MW7.jpg Portfolio “In this photo I am trying to show how you feel when you are ill. You feel insecure, lonely, paranoid, scared of being taken away, I even became scared of my own family. When you are ill you feel surreal because of the drugs – you hear voices, sounds, you see colours, lights. You think you see a weird thing then you look again and it’s something normal. Now I am well I don’t see these things or hear those voices. But it’s always there and sometimes the drugs can make you feel strange.” (c) Alison / United Response / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446668675786-SJV9E5T26NGY7WV0BMB3/MW10.jpg Portfolio UR in the Picture workshop https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849171976-KL7I0L6LC5VLGVPT3TSR/image-asset.jpeg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849091522-QQ3PKTBD9QAZS6OB5U3S/p_0016.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849093868-2MVIPXQ8TJ6YCZGMXJW7/p_0017.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849092103-APM4VILHLTQI4I4Z5454/p_0018.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849092590-K2X49B2OHZ89BFGSIUV9/p_0019.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849094248-KDBXHMK34FWDTN5ULVKG/p_0020.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849104804-NUJXRETUOAXMWHK92RZV/p_0001.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849104950-Q3ON17VCEO95G842N1XP/p_0002.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849105555-UB2AZJ39K6A3IP0OANB8/p_0003.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849105400-JZGYO4G82YUEA302GMB7/p_0004.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849105847-VLYW5BNXVIEYUPKWLK1L/p_0005.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849105794-9QJXU4H8QKEDYLZC7XRH/p_0006.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849106233-C7I8FL9PVRQW4MYINKTS/p_0007.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849106165-CISE4WQ8S5PV9QAKAXWT/p_0008.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849106631-7GDAHXRQDDWO7A3UGB30/p_0009.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849106683-NVMAWKZ45TCNZDQX85E5/p_0010.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849107104-SGH0TYXZS192Z44HN9AT/p_0011.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849107092-3GEZYU1IPT8TZDT67C5G/p_0012.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849107602-Z959ZE8Y13OTUASNXHH0/p_0013.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849107773-WNDDGOIXUJ6L7PQLQ0O3/p_0014.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849108690-KGPGK8P21FC73MR6PI6M/p_0015.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849108853-IRK1SOIDG25OUT2JHVI2/p_0016.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849112013-9X4UT6PIFHILWJ8PL1HY/p_0017.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456849112948-XT3MOTYYYOXAGRK9L9XL/p_0018.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456842619140-PNER3O1XZSEBXKJWKU1S/image-asset.jpeg Portfolio Moving Lives workshop https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1494200224009-7XPAC2TSXVGESYFE7JAP/image-asset.jpeg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456931177184-I56QPWL6QKOGPUME1PY9/prison2.jpg Portfolio In prison we are a number to officials but to people we are a friend, a person with a personality, a person with a name. My name is Kerry Tomlin. (c) Kerry / Lady Diana Memorial Fund / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456931177071-E80IZOOSJ9KQG95WMLHN/prison3.jpg Portfolio I’m not sure what I was thinking about when this photo was taken but the only thing I really think about in here is getting out and going home to start a new life with my family. I want to change my style and be a good mum. (c) Stacey / Lady Diana Memorial Fund / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456931190883-GAINUB8H1334AXPNY48G/prison4.jpg Portfolio When I look at this picture I think of someonethat has been really low and depressed but who takes courage and starts afresh – they reach for the sky. © Rochelle / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456931190046-U5X41G2UY02HYK1CK9M2/prison5.jpg Portfolio This is me before. This is me when I was broken but I am still the same. I was broken when my dad went to prison because a part was missing. I wanted to show that in a picture. I was 12. It was a shock because I had to be the adult. My mum was upset and my brother and sister were upset so I was being the one who was the adult. If I had shown I was upset then my mother would not have pulled through it because she would have been worried. If I was upset I would just sit by myself. © Jamie / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456931193224-O8547LUWYGUVHYUXKDX0/prison7.jpg Portfolio The guilt I felt has no word to describe the amount of pain I had to go through. I felt guilty for what my brother had done. © Adam / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456931191382-YZL73XBPIR85T0LTC27Q/prison6.jpg Portfolio I live on one of the worst estates in London. There are Assaults, Robberies, Crime and Gangs. I want to describe the kind of life that leads up to doing time, to show what territory people live in. I felt alone on my own on a side street with no one else around. I just had to walk to get through to the end. Now the path is getting wider and there are now two paths. Which way am I going to go? The left way is a big path with loads of people around or the right way is a narrow path with no one around. I’m going to the left. What path are you going to choose? Left or right? © Adam / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456931192880-1LV73M5IMEIGOIAM9AOL/prison8.jpg Portfolio To me this picture is saying you have to do anything to survive on the streets because the streets are hard and there are hard people on the streets – you have to survive. © Rochelle / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472061055830-XBUURR9P87T531Y6A3IA/youngpeople.jpg Portfolio Young People Now, 2004. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058417491-29TPZI8WOBLFJ6P7TJ1D/NLguardianAB07.jpg Portfolio - The Guardian, 2007 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058543781-6GXJR8D2QDDSP12DQK9V/NLguardianCD07.jpg Portfolio - The Guardian, 2007 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058522546-CWTZ2OIFW2AMS3WGTYGF/youngpeople.jpg Portfolio - Young People Now, 2004 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058373393-PIMKU7R3HYNFGZZ2Y523/NLft.jpg Portfolio - Financial Times, 2008 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058272332-V8T4SRQFN6YY7LJDBM0U/BJP031.jpg Portfolio - British Journal of Photography, 2003 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058307474-L1WKII2VLDO1KBERBWZQ/BJP032.jpg Portfolio - British Journal of Photographer, 2003 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058332902-TWIOA63W4GIVKSAEQ3AZ/MLtimes.jpg Portfolio - The Times, 2005 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058368280-T5UUS88CBDO56088XCLU/NLbjpA08.jpg Portfolio - The British Journal of Photography, 2008 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058370876-N005ON606VW11O79SKOD/NLbjpB08.jpg Portfolio - The British Journal of Photography, 2008 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058234964-NAD1GHHD4MY5LHTO1IO8/AOP.jpg Portfolio - Association of Photographers, 2004 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058273098-27S7RH2QODV1IFS40JMP/bibinmetro03.jpg Portfolio - Metro, 2003 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058277073-RKEX5TUC03IQ5406MU2H/BJP071.jpg Portfolio - The British Journal of Photography, 2007 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058282054-B29E6R1ORAA8XOI23IQP/BJP072.jpg Portfolio - The British Journal of Photography, 2007 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058490135-3D4M5RQDKX2X2J8967VA/queenscourier.jpg Portfolio - The Queens Courier, 2004 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058388008-Q7ZSRZZYCKEQGY5AQCK5/NLBigIssueA08.jpg Portfolio - The Big Issue, 2008 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058366509-SNRKZJ1TTRXPLJ5ZLBQL/NLBigissueB08.jpg Portfolio - The Big Issue, 2008 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058470993-7VQ05Y2OXSIP5UULXRI6/NYTunbrokenb.jpg Portfolio - The New York Times, 2004 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058482778-2454CLLGA23TQ8L3ZPM1/observer.jpg Portfolio - The Observer, 2001 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058429402-YSOV6TEYKPK217KQV0I4/NLtimesCD08.jpg Portfolio - The Times, 2008 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058449745-3ZWU6SCZAN9XJXKME1UC/NLtimesAB08.jpg Portfolio - The Times, 2008 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058506068-8ORX9BB56R6NVCBCPAQ6/TransBigIssue.jpg Portfolio - The Big Issue, 2002 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058506371-XR5O0JK207OAPCIBMBVE/transguarian02.jpg Portfolio - The Guardian, 2002 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058509220-6MJXLYM3X9N1824PPCSZ/TransSX.jpg Portfolio - SX Magazine, 2002 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058510623-KPQGR43R4FYQ5OIKEZL6/trolley1.jpg Portfolio - Trolley Magazine, 2005 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058513891-LB3YP9NNDIZG8734ZQX6/trolley2.jpg Portfolio - Trolley Magazine, 2005 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058516454-FRTU68602NIDBZVVWHIQ/trolley3.jpg Portfolio - Trolley Magazine, 2005 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058519250-LJAC6H8BLU7GGBFO52TK/trolley4.jpg Portfolio - Trolley Magazine, 2005 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058520545-NI4HO8XBI9739O58T897/trolley5.jpg Portfolio - Trolley Magazine, 2005 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058523074-YK4QDM6R0IDQB6SN2QJQ/trolley6.jpg Portfolio - Trolley Magazine, 2005 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058229375-1OFB1U3CCB2LL167645A/AmateurPhotoA.jpg Portfolio - Amateur Photographer, 2002 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472058233280-WBKHK1NCA8GI8O4JJHXR/AmateurPhotoB.jpg Portfolio - Amateur Photographer, 2002 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1472228792557-IYX6Q5RNKSTCAANQZYW4/image-asset.jpeg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446823597815-1SF8BKU1STVU56URSZN9/image-asset.jpeg Portfolio Transparency workshops 2002 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446823730243-SB9LQQ4EE1U8UNX45I8V/groupwithcamppic+copy.jpg Portfolio Bhutanese youth show one of their panoramic images of the camp, 2007 https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456772453984-Z63KEENTK174CYW61SVC/Street+shooting+%28c%29+Tiffany+Fairey Portfolio Street shooting (c) Tiffany Fairey https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446830508738-CZUAP2Q6DJF0R8ZOISS4/IMG_3352.jpg Portfolio Still taken from 'These Photos Were My Life', a non-linear film produced as part of my PhD research https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835919882-ZTNYA7JSARNQK9RZ1JNZ/bib12.jpg Portfolio Shooting Kabul workshop. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835890802-2W6SR1ZP56RJ93KHB707/bib1.jpg Portfolio Workshop outing to photography in a ruined palace. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835891511-55LUQX1I3KM0V21C9EG3/bib2.jpg Portfolio Shooting in the ruined palace https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835893254-6FMWQH1467XHNUNDNP60/bib3.jpg Portfolio Ruins and the sky I wanted to show in my picture how this building used to be beautiful but now it is destroyed. I liked going on this trip to see these ruins because it is important I see how my country is now and how it once was. In the future I hope this building will be beautiful once more. (c) Zakia / Shooting Kabul / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835894151-YSPK1YSJSAAYO171MGHW/bib4.jpg Portfolio Making decorations at Aschiana These children are making flowers to sell on the street. These kinds of decorations are traditional in Afghanistan, people will use them to decorate their houses and also brides will use them. During Eid we also decorate our house. This year Eid was very different to last year because the Taliban are gone. Last year I did not understand what a holiday meant because everyday I had to be in the house but this year we were dismissed from school and Aschiana – now I understand what a holiday means. Before I was not at school so everyday was like a holiday because we could not work or study, we had to stay inside. It felt good to have a holiday. I used to get bored always staying at home. There was nothing to do each day except when we could work on the streets. (c) Rabia / Shooting Kabul / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835900671-8WWA80ZU2E78TOUCWC50/bib5.jpg Portfolio On the bus (c) Sakina / Shooting Kabul / PhotoVoice I do not want to wear a burqa. I will wear hajab (a head scarf) because that is what it says in Islam. It is important for women not to be seen by other men apart form their husbands – this is what is said by Islam. Women have to do exactly the same as men, the same amount of work, but they are not treated the same. (words by Khatera) https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835901053-UZMJ9VMN436CTXGKM84P/bib6b.jpg Portfolio Jumper This jumper is very beautiful. I would like it. My favourite colours are yellow, black, purple and red. Now I have no clothes that I like. One day maybe I could have these kinds of clothes, but my future is not clear. They are expensive to buy and I do not have money for bread or to buy food so it is not possible. We cannot buy such things. I have been going to school since the start of this year. My mother at first did not want me to go to school because I did not have good clothes and good books, no socks and no shoes, but I wanted to go. Now I am in class 4 and I can read and write a little. I enjoy it - when I started at school for the first time I found it hard but I went straight into class 3 as I am a older and I did not want to study with all the small children. (c) Sakina / Shooting Kabul / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835906606-75DNNOFDW6OICAXBEY22/bib7.jpg Portfolio Bath Some years ago people had baths there and maybe in years to come they will again. We do not have a bath, we wash from a bucket with water we bring from a tap outside. Only rich people have baths. I think rich people used to live in this building. I was happy to visit there because it was once the place of rich people and poor people could never go and see and I could not have gone there. I hope this building is cleaned and made new again. (c) Mahbooba / Shooting Kabul / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835905697-3JR3VT6VOTNXIFB6QIGF/bib8.jpg Portfolio I do not remember taking this picture but I think the hand is pointing at the ruins we were going to take pictures of. This house before was beautiful. When Taliban came they would think that maybe there were soldiers hiding in the buildings so they would bomb them and turn the buildings into ruins and there was no soldiers there. I hope peace will last a long time now. Peace is the most important thing to the children of Afghanistan. (c) Khatol / Shooting Kabul / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835909334-VT03PHPMZ74JQ2UINV6R/bib9b.jpg Portfolio This building was destroyed during the fights. Now I am interested in politics because there is peace, during war I was not interested. I like the framing in this picture but not the place because of its destruction. Many years ago there was peace in Afghanistan, children did not need to work on the streets and they were able to study. Children did not lose their mothers and fathers. I cannot remember a peaceful time but my mother tells us stories about how Afghanistan used to be - people used to have a good life and all they could eat. (c) Anayta / Shooting Kabul / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835917045-0S8AXHHL95TWTAVV9VAH/bib10.jpg Portfolio The warnings are painted on the walls to tell people to take care of mines. This is good as it means people can live more safely. My neighbour used to collect steel and he thought a mine was steel he could recycle and took it. He now cannot walk – he has lost a foot and a hand. His sister comes here to Aschiana. The landmines are found in many places outside. Small children are taught what the different mines look like so they know not to touch them. Sometimes they are hidden. Before they used to be near our houses but now they have been cleared. Many children were injured as they used to play in mined areas. (c) Nabiela / Shooting Kabul / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1446835914480-LJXPLXXDAG9WDQBLMLK0/bib11.jpg Portfolio Shooting at the ruined palace https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456934577437-OZOE7UAEADL4AHEJMZ5G/685_JFR.JPG Portfolio The Youth Photo Reflect participants, Orange Farm https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456934570157-BT3MZ70R865G4FY4XR03/100D0028.JPG Portfolio The Real Dancers. Despite the fact that we are surrounded by so many bad things my friend and I are happy that we can still show our talent. (C) Jabu / VRCO / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456943600079-XQ6UTW0RJ8PAICEIWCIY/Maggie5-58.JPG Portfolio These boys are happy and friends but they are doing the wrong thing. Smoking drugs comes from peer pressure, they influence each other in things like drugs, alcohol and then sex. (c) Maggie / VRCO / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456934660047-DIHQD05EH8W9J5KFE2X3/Anna4-2-87.JPG Portfolio "Although I have a baby I don’t know anything about HIV/AIDS" said the older sister. Her sister agreed. They only hear the myths and rumours about HIV/AIDS. It makes me feel sad and scared because we all have to know about this disease. I think our government must build clinics and listen to the people, and NGOs must teach people about HIV/AIDS. We mustn't be ignorant about while it destroys our families. (c) Anna / VRCO / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456943987791-LGYDV4KZBV9VFWKB577W/100D0107.JPG Portfolio This lady is open with her HIV status and she is proud and healthy. She likes to talk about her status but she says that if she talks about HIV to her friends they just say this thing is going to make you crazy. She always tells us to protect ourselves from HIV/AIDS. (c) Issac / VCRO / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456934596276-G2LMLG7UCEAYTB4Z6JG2/703_JFR.JPG Portfolio Workshop https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456934677578-M4Q8OMWZ9R7OPZFE892E/Isaac4-2-46.JPG Portfolio Peer pressure in Orange Farm (c) Issac / VCRO / PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456934685539-6UWBAC9HDMVETAZYEVNW/Kgom3-2-31.JPG Portfolio This photo means a lot to me because I'm wearing my uniform. When I was young I didn’t think I would go to secondary school. I'm so happy because my parents have decided to let me be educated. I will be able to support them. My mother believes in me and works hard for me to be educated. I want to be strong for my family. © Kgomotso/ VRCO/ PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456943619591-YGM72HYKAMR70B8SC3K6/100D0253.JPG Portfolio We break our own education because we are going to school but not to do anything but stand outside the classrooms. But to read and write is what school is for. But we wont listen to what the teachers say. We keep on saying education is the key but we're still outside the classrooms. We break our education - we break our future. © Jabulile/ VRCO/ PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456934685975-SZH0I5M7E3ZCOL1LAZ3V/Lebo2-2-24.JPG Portfolio Green Sky, Happy Team. Because of team work they won the game. We need team work as youth to learn new skills and gain confidence to fight the challenges. © Lebogang/ VRCO/ PhotoVoice   https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456934600304-W467XZE3QY8PRZS318QO/785_JFR.JPG Portfolio Producing their digital stories (c) Lydia Martin https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1456934723947-OHFM47DG80S43GJS1QLY/Lebo3-2-37.JPG Portfolio I like to work hard with my hands and to help people. Hands are there to help one another. © Lebogang/ VRCO/ PhotoVoice https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1585751098382-HRBQI240OA4QT2AORKBY/flyer-face-2-witness-final-product-01-02_orig.jpg Portfolio https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1585847668084-8BDP55AITIXOSLZTY5CI/PaD+image+2.png Portfolio - Yasmine Eid-Sabbagh. From Plot/Future 6, intervention day 7: The Ones Who Walk Away… Extending Photography: the Meta-Medial/Conversational Layers of Dematerialised Photographs by Yasmine Eid-Sabbagh Yasmine Eid-Sabbagh’s article reflects on over a decade of conversations with people and their photographs in Burj al-Shamali, a Palestinian refugee camp in Lebanon. She describes an extended process of gathering images from people in the camps for a digital depository that has sought to accommodate people’s plural motives for collecting photographs, and to unfold the oppressed histories in which they and their images are implicated. Eid-Sabbagh argues we need to extend our conception of the photograph to re-imagine it as composed of multiple meta-medial layers and to make the dialogue between these layers visible. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1585847838062-UU7MBJULN5O13S10XHA4/PaD%2Bimage%2B3.jpg Portfolio - David Campany and Anastasia Samoylova, from Dialogue (2017–). Courtesy of the artists. Corresponding Associations: the Poetics and Limits of Photography As Dialogue by Daniel Palmer Daniel Palmer’s article discusses artist-led photo dialogue projects in which they have sent images back and forth to each other, via Instagram, email or phones. He probes the parameters of the shared visual language in such projects, locating their emergence out of networked digital photography which has seen photography shift from being primarily about memory to a more ‘conversational’ mode of social communication. Artist-led photo-dialogues are both a response to a potential, Palmer writes, and an attempt to develop a new form of exchange. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1585847711460-GCHSUFVCTAQ29ZXIJHW3/PaD+image+6.png Portfolio - Palpa | 1990 | Rambha Poudel Collection/Nepal Picture Library At a March 8 Women’s Day rally, just weeks before the pro-democracy popular movement of 1990, Kavita Poudel, Yamuna Ghimire, Dil Maya BK, and Maiyya Bhattarai, along with other friends not seen here, were picked up by the police from Butwal for chanting anti-Panchayat slogans and put in prison in Tansen. On the day they were released, they went to a photo studio and had this group portrait taken. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1585847713654-OWRR9S2ZEFWNDO05RIBL/PaD+image+7.png Portfolio - Seeing With Photography Collective. Portrait of Morty. The Seeing With Photography Collective evoke a form of dialogical photography in which subjectivities become interwoven in a shared compulsion to create images that convey the visions of those that see, but not with their eyes. The group of visually impaired, sighted and totally blind photographers from New York City have been working together for 20 years and have developed a process that is both highly intuitive and technical. With the camera shutter left open for minutes at a time, in darkened rooms they use torches to improvise scenes creating images that are their own form of magical realism: dream-like, disorientating and iridescent. The blind photographers, with varying levels of visibility, know their photographs through the descriptions of those that can see them. This is a slow and deliberate form of photography determined to overcome the limitations of the visual and to expand our notions both of photography and of what it means to see. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1585848152892-UDN2KPA1IIXMHJ20G3SD/PaD+image+4.jpg Portfolio “This photo is of school going children. They are dressed well and on their way to school. We see here that the children are wearing good clothes and how happy they are to go to school. I want to show this picture so that people see that even in this poverty people send their children to school so that they are educated and successful.” Photograph and caption by female research participant, in Sanjay Colony, Delhi, India, Depicting Injustice (Miskelly & Warrington 2010) Who Gets to Talk About NGO Images of Global Poverty? Edward Ademolu and Siobhan Warrington in conversation. Siobhan Warrington and Edward Ademolu’s In Conversation speaks to the paradoxical potential of the image to both shut down and open up plural perspectives. They converse around a shared concern for which voices are being heard (and listened to) in debates around NGO image-making. Re-positioning diaspora audiences and the subjects of NGO images as active contributors to and actors within the image-making process, their research projects both raise the question of whose interests these NGO images serve? As social science researchers Warrington and Ademolu employ photo-elicitation, using images directly with research participants to generate conversations around representation. While their research highlights photography’s capacity to mis-represent and perpetuate racial stereotypes, their methods harness the photograph’s potential to open up new spaces, prompt critical reflection and ‘speak back’ to the images and image-makers. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1585848183238-8T70S37Q6R39TRXQQPG1/PaD+image+8.png Portfolio - Sharon Johnston with young people at Belfast Exposed. Cupar Way, Belfast. (Un) Photographing Peace by Tiffany Fairey Established during The Troubles, Belfast Exposed has worked for 30 years to catalyse conversations that build relations and support the peace process. Tiffany Fairey considers an image, created in one of Belfast Exposed community projects, in which young people have digitally removed one of Belfast’s biggest peace walls that they live alongside. In doing so they visualise something that does not yet exist in Belfast: the unsegregated landscape of a city without walls. The leading peace theorist, John Paul Lederach, argues that change happens when people ‘language themselves’ into new realities through conversations and stories that spark the moral imagination. These young people demonstrate how photography has a role to play as they work to create images that ‘envision themselves’ into new landscapes. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1585848186353-1FDQ6ZFR2SNWK3U82EM3/PaD+image+9.jpg Portfolio - Anthony Luvera. Documentation of the making of Assisted Self-Portrait of Ben Evans, Assembly 2013-2014. What We Don’t Talk About When We Talk About Photography and Participation. Ben Burbridge and Anthony Luvera in conversation. Anthony Luvera and Benedict Burbridge’s conversation expands the critical discussion around socially engaged arts by focusing on funding and commissioning practices. At its core a discussion about power and who benefits, Luvera and Burbridge wonder why conversations about financing are excluded from the narratives around such projects? Luvera describes the delicate institutional and community relationships that artists navigate when undertaking socially engaged work. For Burbridge, that these processes are often silenced in the final viewing experience points to telling power relations. They remind us that despite claims to challenge hierarchies, such projects often only do this in prescribed ways and at certain stages. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1585848305656-031KOEAKLQTL3W5AAZ35/PaD+image+10.png Portfolio - Book Review: Restrict Images: Made with the Warlpiri of Central Australia (Patrick Waterhouse, 2018, SPBH Editions) by Gemma Rose Turnball. Gemma Rose Turnbull reviews Patrick Waterhouse’s book, Restricted Images, that uses collaborative photography to re-negotiate the history of the colonial and culturally invasive representation of Aboriginal people and places. Inviting Aboriginal artists to “restrict and amend” his photographs (images which he had made of them) with their painting (dot patterns that are elements of traditional storytelling), Waterhouse proposes to symbolically return agency over their images to Aboriginal communities. The resulting images are captivating but Turnbull points out that insufficient detail about the image-making process is provided to evaluate how much agency the Aboriginal artists have had. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1585848309777-7MJQZSAOFVGSBDLFTHSW/PaD+image+11.png Portfolio - The Faces We Lost. Directed by Pitor Cieplak. 2017. Film. Zoe Norridge reviews Piotr Cieplak’s documentary, The Faces We Lost, in which he talks with Rwandans, survivors of the 1994 genocide, about the photographs they do and do not have, of their loved ones. Norridge writes that family photos of those who were killed play an essential role in commemoration and grieving in Rwanda. Over various interviews the film gently explores how people remember, both with and without photographs. Recognising that his academic research and analysis ‘can offer nothing’ to those who suffered the genocide, Norridge affirms how Cieplak’s film reveals how people, in dialogue with their images and memories, live with loss and atrocity. https://images.squarespace-cdn.com/content/v1/5602dff8e4b071d1b6296bc5/1585925655363-YTKSI0VBVE38H0PWCUJL/fig7_BridgetandCeclil+copy.png Portfolio - Sireita Mullings. Bridget Chin and Cecil discuss the old Front Line. Voices From the Front Line: Young People Interrogating Railton Road’s Heritage by Sireita Mullings-Lawrence Sireita Mullings’ article discusses Voices from the Front Line, a project that saw young people from Lambeth using photography to uncover the social, cultural and political heritage of Brixton’s Railton Road. Railton Road is an important gathering place for South London’s Caribbean community that became famous as the street where the Brixton social uprisings of the eighties began, and now a site of rapid gentrification. 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